Documentary Production Workshops
Next Workshop: Arctic Norway and the Northern Lights 20-26th January 2012 Only 2 places left. 26th Jan to 1st feb (Sold Out).
Iceland, land of fire and Ice. 1st March 2012 to 6th March 2012.
2012 Tornado Chasing Workshops, In conjunction with Silver Lining Tours.
May 5th to May 13th (good availability) and May 13th to May 21st (very few places left).
Contact me for full details before signing up with SLT.
Want to improve your video skills, yet don’t fancy a dull workshop in an uninteresting studio or training centre? Then this trip might just be for you.
Join Alister Chapman on the learning adventure of a lifetime. Over the course of a week Alister will help you improve your video production skills through a series of workshops and one to one training sessions. You will have the challenge of producing a short documentary film about the week, through this challenge you will be able to hone your existing skills or lean new skills. The really unique feature of the course is the subject matter: Extreme Weather!
Every Spring the Mid-West of the USA is struck by devastating and deadly thunderstorms that produce incredible lightning, giant hail and even tornadoes. Alister Chapman is a highly respected storm chaser and he has combined his video production skills with his passion for natural extremes to produce weather shows for Discovery, National Geographic and the BBC.
Guided by Alister the workshops will take place out in the field, on-location, as the group tracks severe storms. The weather systems that will be followed will give amazing opportunities to try out things like timelapse and cache record. You will need to work out (Alister’s assistance) how you are going to tell the story of the groups adventure. As it is likely that not every day will be an active storm chasing day you will need to consider how to deal with such days in your short film. There will be opportunities to experiment with mini-cams and POV cameras as well as a range of other cameras.
The workshops that will be included* during the trip are:
Choosing the right camera: Sensor size and lenses.
Documentary Sound Recording.
Fundamentals of good camera work: White Balance, Exposure, Focus.
Documentary Story Telling.
Advanced Camera Techniques: Gamma, Detail and Color settings.
Advanced Shooting Methods: Timelapse, Cache Record, POV cameras.
Basic Editing with FCP and/or Premier Pro.
As Alister will be on-hand at all times during the day, there will be plenty of opportunities to ask questions and get one to one help on any aspects of video production not covered in a workshop that are troubling you.
*As this is both a video workshop and a storm chasing adventure the number of workshops and their duration cannot be guaranteed. However it should be noted that the more interesting the weather is then the more chances there will be to shoot in exciting and unusual circumstances. The tour organisers are unable to predict exactly what the weather will be like ahead of the tour. However statistically in the Spring it is likely that in any one week period there will be at least two days of severe weather.
The cost: For each participant there is a charge of $2450 USD payable in advance for the workshops, on tour travel and accommodation. Then there is an additional fee of $400 USD for the video workshops and training. The accommodation will be arranged each day by the tour leaders and mid-range hotel chains are used.
What to bring? If at all possible you should bring your own video camera, we do not provide equipment with the exception of the mini-cams which can be used from time to time during the trip. A tripod and a microphone with a cable or wireless connection are good to have. We can advise each individual once a place has been reserved on exactly what to bring. You should have T-Shirts as it will be hot, but also long trousers as there are many bugs in the grass verges that we often stop on. You should also have a rain and windproof jacket. Camera rain covers are optional, we don’t tend to shoot in the rain due to the enhanced lightning risk.
Is it dangerous? You must understand that you are paying for the video training, not the storm chasing. If you choose you may opt out of the storm chasing and just join us at the workshops. You would need your own vehicle if you wish to do this. Storm chasing is potentially extremely dangerous. However Alister has over 10 years of experience and has intercepted almost 70 hurricanes and tornadoes without injury. The tour leaders will not be taking un-necessary risks. The aim will be to get into positions relative to the storms for the best photo and video opportunities, not necessarily as close as possible! Clearly in the worst case scenario a member or members of the group could be struck by lightning, hit by debris from a tornado, injured or killed. You do need to understand that severe storms are extremely dangerous. However through the use of highly accurate satellite based data and weather forecasting systems, skill and experience, the risks will be minimised and safety will be top priority. It is almost unheard of for storm chasers to be injured whilst in pursuit of storms.
Most Recent Posts
- Super Slow Motion 480fps Lightning.
- The Grand Canyon, shot with an FS700.
- Canon Launches new C100 AVCHD s35mm camcorder.
- Arizona Storm Shoot Update
- Convergent Design Gemini to Support 4K with the Canon C500.
- What not to pack!
- New Sony NEX-EA50EH shoulder mount 35mm camcorder. Power Zoom lens for FS100 and FS700
- SHort Film/Documentary Workshop in Arizona.
- A to Z Index
- Alister's Bio and Info
- Alister's Blog
- Alister’s Bio and Info
- Alister’s Blog
- Camera Setup
- Contact Me
- Documentary Production Workshops
- Example Video Clips
- How To Videos
- Northern Lights Live 2012
- Once in a Lifetime Northern lights Expeditions to Norway.
- Picture Profile Guide.
- Adaptimax Lens Adapters for PMW-F3
- Alister’s Equipment Reviews A to Z.
- Alphatron EVF-035W Viewfinder Video Review.
- Atomos Samurai
- Camrade cb-single-iii camera bag.
- CamRade WS PMW F3 Rain Cover Review.
- Cineroid HDSDI EVF (EVF-4MSS) review.
- Juice Designs EX1R Baseplate.
- Manfrotto 509 Tripod Head
- NEX-FS700 In Depth Review.
- Review of the Sony PMW-200
- Sonnet QIO Review. Very, Very, Fast Offloads.
- Sonnet SDHC to SxS Camera Adapter.
- Sony FS100 and F3 Video Review
- Sony PVM-740 OLED monitor
- Tilta BS-TS03 Shoulder Mount Review
- Today3D FIZ controller. Focus, Zoom, Iris, Interaxial.
- Transvideo PMW-F3 replacement base assembly.
- Triad PL to E-Mount adapter.
- TVLogic WFM-056WP Monitor/Viewfinder
- Vinten 100 Tripod Review
- Shooting Tips
- Short Film Workshop
- Tech Notes.
- Training and Expeditions
- Ultimate Documentary Production Workshop
- Video Reviews
- Workshops and Training
- alisterchapman on 50 Megabits for the masses, the new Sony PMW-200.
- alisterchapman on The Grand Canyon, shot with an FS700.
- alisterchapman on Alphatron EVF-035W Video Review.
- alisterchapman on Uncompressed 240 fps possible with FS700 and Convergent Design Gemini. Tested!
- alisterchapman on Adaptimax Lens Mount Adapters for PMW-F3, Canon and Nikon.