IMPORTANT PLEASE ENSURE YOU USE THE REVISED SETTINGS UPDATED ON 24th JULY.
After my recent side by side look at the F3 and FS700 and seeing how different the two cameras look, I decided to try to match them a bit better. There will be many shoots where I will use them both together so getting them to look the same is important. I thought this would be a relatively straight forward task, simply dial in the FS700 to match the F3.
Well it wasn’t simple and it ended up taking me several hours to get to the point where I couldn’t get them any closer. The main issues are that the F3, like most of the XDCAM cameras has a yellow colour cast that’s hard to completely remove and the FS700 has quite a blue image and only very limited matrix controls. Initially I started to try to match the FS700 to a standard F3. While I could get the FS700 closer to the F3, I just couldn’t get a near match let alone a complete match. So back to the drawing board.
For my second attempt I decided first to work on getting rid of the yellow/orange cast to the F3 pictures by adjusting the F3′s matrix, at the same time creating a neutral look picture profile with good dynamic range, but one that could be used without grading. This took some extensive matrix tweaks. You will find the full details of my new “STD-REAL” picture profile in the forum by clicking here.
So once I had a neutral starting point on the F3 I then turned to the FS700 which I think is very blue. The matrix settings on the FS700 are quite limited so I wasn’t able to get an exact match to the F3, however the setting I came up with get them close enough for most jobs, it’s not perfect but it will do. I’m quite happy with my new FS700 settings and I think with this profile it produces a very nice image. You can find the full profile settings in the forum by clicking here. Remember you need to use the matching F3 profile in the F3 for the best match. If you want the maximum dynamic range then instead of Cinegamma 1 you should use Cinegamma 4 with the black gamma set to zero. My STD REAL profile for the FS700 is closer to a standard F3 than the default FS700 settings.
Leave a Reply
Most Recent Posts
- Super Slow Motion 480fps Lightning.
- The Grand Canyon, shot with an FS700.
- Canon Launches new C100 AVCHD s35mm camcorder.
- Arizona Storm Shoot Update
- Convergent Design Gemini to Support 4K with the Canon C500.
- What not to pack!
- New Sony NEX-EA50EH shoulder mount 35mm camcorder. Power Zoom lens for FS100 and FS700
- SHort Film/Documentary Workshop in Arizona.
- A to Z Index
- Alister's Bio and Info
- Alister's Blog
- Alister’s Bio and Info
- Alister’s Blog
- Camera Setup
- Contact Me
- Documentary Production Workshops
- Example Video Clips
- How To Videos
- Northern Lights Live 2012
- Once in a Lifetime Northern lights Expeditions to Norway.
- Picture Profile Guide.
- Adaptimax Lens Adapters for PMW-F3
- Alister’s Equipment Reviews A to Z.
- Alphatron EVF-035W Viewfinder Video Review.
- Atomos Samurai
- Camrade cb-single-iii camera bag.
- CamRade WS PMW F3 Rain Cover Review.
- Cineroid HDSDI EVF (EVF-4MSS) review.
- Juice Designs EX1R Baseplate.
- Manfrotto 509 Tripod Head
- NEX-FS700 In Depth Review.
- Review of the Sony PMW-200
- Sonnet QIO Review. Very, Very, Fast Offloads.
- Sonnet SDHC to SxS Camera Adapter.
- Sony FS100 and F3 Video Review
- Sony PVM-740 OLED monitor
- Tilta BS-TS03 Shoulder Mount Review
- Today3D FIZ controller. Focus, Zoom, Iris, Interaxial.
- Transvideo PMW-F3 replacement base assembly.
- Triad PL to E-Mount adapter.
- TVLogic WFM-056WP Monitor/Viewfinder
- Vinten 100 Tripod Review
- Shooting Tips
- Short Film Workshop
- Tech Notes.
- Training and Expeditions
- Ultimate Documentary Production Workshop
- Video Reviews
- Workshops and Training
- alisterchapman on 50 Megabits for the masses, the new Sony PMW-200.
- alisterchapman on The Grand Canyon, shot with an FS700.
- alisterchapman on Alphatron EVF-035W Video Review.
- alisterchapman on Uncompressed 240 fps possible with FS700 and Convergent Design Gemini. Tested!
- alisterchapman on Adaptimax Lens Mount Adapters for PMW-F3, Canon and Nikon.