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New Canon C300 and C300PL cameras and 4k lenses.

So, I might be a little late on this announcement as I’m currently working in Taiwan, but yesterday Canon released information on two new video cameras and 4 new zooms plus 3 cinematography prime lenses. The press information from Canon is below. Reading between the lines and picking out some of the key points this is a very significant announcement. The cameras have a new 8.29 mega pixel sensor recording to compact flash cards at 1920 x 1080, 4:2:2 at 50Mb/s. The sensor uses a bayer type pattern, but due to the very large pixel count it has a Red and Blue pixel  for each sample in the 1920×1080 frame as well as two Green pixels. This should lead to very good colorimetry, but is a little odd considering that the camera only has a single HDSDi output, which I assume would just be 1.5G 4:2:2, so much of the 4:4:4 data derived from the sensor goes to waste unless it can output 4:4:4 10 bit over HDMI. The higher pixel count and thus smaller pixels than F3/Alexa could have an impact on dynamic range sensitivity and noise, but until I see some raw footage or get my grubby hands on one, who knows? The Laforet video “Mobius” http://vimeo.com/30215350 has quite a “video” look to it, but that might just be the online compression. The camera has a built in Log Curve that is said to offer improved dynamic range. Clearly Canon have some of the F3 market in their sights.

There are HDMI and HDSDi outputs so recording to an external device to improve image quality should not be an issue, 8 bit, 4:2:2 is a bit of a shame on a camera with a sensor spec like this, at least it’s an improvement over the Sony F3′s 8 bit 4:2:0 at 35MB/s. If your going to use the Log curve then you defiantly want to record to a higher quality, preferably 10 bit codec (I am assuming the HDSDi output is 10 bit). UPDATE: I am reading many reports of the HDSDI out only being 8 bit. I hope this is not the case!!!

It does tick many professional feature boxes with XLR audio in, Genlock and even a sync output. This would make it well suited to 3D applications. It looks kind of like a DSLR and has a removable handgrip, a rear mounted EVF as well as a removable smallish LCD panel. One mistake I think Canon have made is that you have to choose between the EOS lens mount and PL mount versions of the camera. Why could they have not made a camera body with a removable mount that would allow you to choose between PL or DSLR glass without having to change the entire camera body, or use an EOS to PL lens adapter with it’s extra optical elements?

Still I do like the thought of a stripped down EOS mount version (C300) with a nice L series zoom on it for shooting on the road or covert filming. However even the use of the EOS mount is a little strange as there is no provision for Auto Focus or Auto Iris, something that you would have thought would be easy to implement. This is a fully manual camera.  I’d really like auto iris you know, if only for tricky time-lapse sequences. Iris control is on the camera body. According to Andy Shipsides of Abel Cine the iris steps slightly as you adjust it when using EOS lenses, what a shame. Makes PL sound like a better option for serious productions.

Having a s35mm sized sensor and the 50Mb/s 4:2:2 codec does meant that it ticks all of the BBC’s approval boxes, so you should be able to use it on most broadcast projects. But it is a strange beast on paper. A DSLR-ish form factor, EOS lens mount without focus or iris control, a 4:4:4 ready sensor but only 4:2:2 recording. Hmmm, you know what, I have to wonder if that sensor isn’t going to appear in another camera with RGB or Dual Link recording. Camera price is approx $20k USD, available in January.

As an F3 owner the new Canon PL mount lenses look ver interesting indeed. The 30-300mm T2.9 – T3.7 would be a great lens for shooting music concerts and other similar events, while the 14.5-60mm T2.5 would be a fantastic all round zoom covering the most commonly used focal lengths that I use.

Canon Press Release:

Lights! Camera! Action! Canon Launches Cinema EOS System

 

All-New Cinema Lens Line-up & Digital Video Camcorders to Leave No Story Untold

Canon today announced its full-fledged entry into the motion picture production industry with the launch of the Cinema EOS System. Canon’s new professional digital cinematography system spans the lens, digital video camcorder and digital SLR camera product categories.

 

The Cinema EOS System targets a new area of imaging and builds on a 74-year history of innovation and expertise in the field of optical and imaging technology.

 

The new Cinema EOS System, offers compatibility with Canon’s wide array of high-performance EF lenses, provides cinematographers with a range of unprecedented creative possibilities to ensure that no story is left untold.

 

With the debut of the Cinema EOS System, Canon today introduced seven new 4K EF Cinema Lenses, four zoom lenses and three single-focal-length models, which complement the current diverse line-up of interchangeable EF lenses for EOS SLR cameras.

 

4K EF Cinema Lens Line up

The seven new 4K EF Cinema Lens models include  four zoom lenses covering a wide zoom range from 14.5 mm to 300 mm, two models each for EF and PL lens mounts, and three single-focal-length lenses for EF mounts.   All seven new lenses deliver exceptional 4K (4096 x 2160 pixels) optical performance and offer compatibility with Super 35 mm-equivalent sensors.

 

EOS C300/C300 PL Interchangeable-Lens Digital Video Camcorder

The Canon EOS C300/C300 PL is an all new digital video camcorder available in two models: the EOS C300, equipped with an EF lens mount which is compatibility with the wide array of Canon EF interchangeable lenses; and the EOS C300 PL, offering a PL lens mount for use with industry-standard PL lenses. The camcorder features a Super 35 mm, 8.29-megapixel CMOS sensor ideally suited for digital cinematography. 

 

Cinema EOS System: Product Overview

7 New EF Cinema lenses:

CN-E14.5–60mm T2.6 L S – (EF Mount)

CN-E14.5–60mm T2.6 L SP – (PL Mount)

CN-E30–300mm T2.95–3.7 L S – (EF Mount)

CN-E30–300mm T2.95–3.7 L SP – (PL Mount)

CN-E24mm T1.5 L F – (EF Mount)  

CN-E50mm T1.3 L F – (EF Mount)

CN-E85mm T1.3 L F – (EF Mount)

 

2 New Digital Video Camcorders:

EOS C300 – (EF Mount)

EOSC300 PL – (PL Mount)

Tags: c300, canon, lens, PL, s35mm